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Thrillers

Features you would expect of a thriller film:

  • Music full of suspense

  • Jump Cuts (Potential)

  • Suspense driven story line 

  • Action shots

  • Asynchronous sounds 

  • Sound bridges

  • Ominous lighting 

  • Acknowledgement from actors of what's happening 

  • Climax - Suspense 

  • Absence of blood/gore

  • Still killings but less focused on how they die unlike in a horror

Along came a spider poster.jpg

Along came a spider (2001)

 
The 2001 Paramount pictures film starring Morgan Freeman depicts the classic elements of a thriller. In the opening scene we see a fast paced, busy scene where protaganist and detective Alex (Morgan Freeman) is in charge of an operation that went wrong in which his friend went undercover and died on the mission. A mini opening, seemingly separate from the traditional plot, is a common feature in the thriller genre. From the instant the film begins we see references towards the thriller genre from the title credits dropping down from the top of the screen like spiders to the diegetic sounds which portray bad signals, Muffled noises and heavy breathing. Alex’s point of view in the last part of the opening scene shows He is the most important person in that shot followed by the close up of Tracey in her last moments. The jump cuts of the scene also instantly show the viewer about the fast paced nature of a thriller film. We see an Eyeline match from Tracey to Alex before she dies showing the closeness of their relationship, and the cross cuts from the woman's body cam to Morgan Freeman's character reinforce the somewhat messy and haphazard nature of a thriller. A cross dissolve goes from the scene of Tracey dying to an establishing shot introducing a new story line. We instantly meet a new protagonist, 12 year old Meghan. Very quickly into the new scene we see a dramatic turn with Meghan being tranquilised by her ‘teacher’, Mr Soneji, and another woman being killed. Whilst there has already been around 4 deaths at this point there is a lack of gore which is a common convention of a thriller film. When the agent, Jezzie, is racing to Meghan the intense non diegetic music makes us hope she gets to the girl in time. The distorted voice notes/messages are a key aspect of identifying the theme as a thriller. It is constantly replayed. The boat that Meghan is in is constantly seen in the middle of nowhere containing hidden cameras, typical convention of a thriller. The non diegetic tense sound effects and music help the audience to see the tense nature of the situation including the screaming kettle which is a suggestive diegetic sound. Throughout the film there are constant changes to the plot, mainly who the villain is. There is also a scene where another child, Dimitri, is about to be kidnapped when Alex and Jezzie stop Soneji before he can take him. The shock reveal towards the end which is once Soneji is killed that the supposed head of security Ben Divine has now kidnapped Meghan and then the partner of Alex, Jezzie, is somewhat the mastermind of the operation is a key aspect of the storyline as well as a common aspect of a thriller as it constantly keeps the audience on the edge of their seats with every plot twist. The final scene comes down to a suspenseful scene between Jezzie and Alex. An intense eyeline match between the pair lines up the following moment where Alex shoots and kills Jezzie. Throughout the entire film there is constant background noise implying the busy nature of a thriller until the penultimate scene with Jezzie Vs Alex when there is complete silence other than the characters dialogue and then the gun shot. 
The final scene cuts to a long shot of Alex and Meghan walking out of the farm building whilst the non diegetic music plays overtop whilst end credits roll. 

Film deconstructions:

Physcological Thrillers

Pyschological Thrillers

 

  • Black Swan

  • Midsommer 

  • Personal Shopper

  • Panic room

  • Before I go to sleep

Conventions

 

  • Weapons - Typically knives 

  • Protagonist - Often isolated female

  • Often a scene within a bathroom

  • Low level lighting - A lot happens at night 

  • Technology - The absense or failure of it 

  • Themes of mental ilness

  • Antagonist - Often be the protagonists mind 

  • Not always a positive resolution - Can be open ended 

Black Swan.jpg

Black Swan

Throughout the film the audience was trying to distinguish between reality and what was going on in her mind. Slowly she started imagining more and more as the film went on. She slowly started becoming the black swan after her attempts to truly embody and feel her character but it changed her. In the end she ended up killing herself by trying to be perfect. Once she was content she had achieved that level of perfection she was able to die happy. 
The psychological element of the film was strong with constant looks at her having more and more hallucinations, commonly of her seeing herself in other people, and changing into someone she originally wasn’t. There was also the occasional jump scare for the audience. 

 

Crime Thrillers

Crime Thrillers

 

  • Along Came A Spider

  • The Hate You Give

  • Joker

  • The Good Liar

  • Seven

  • No Man Of God

  • The Murder on The Orient Express

Conventions

 

  • Police, including connotations of police incuding sirens and blue flashing lights

  • Violent Scenes --> Often murder

  • Guns 

  • Male protagonist --> (Wisdom v Strength) 

  • Investigation, Audience invited to try and figure out the mystery

  • Chase sequence 

  • Low level lighting

  • Weather works against the protagonist

  • Time constraints - Protagonists need to solve the crime before....

  • Resolution - Person is caught 

The good liar.jpg

The Good Liar

In the film we see two main characters, from the outset we portray Ron as the antagonist as we see an initial plot of him as a con man and then his new 'companion', Betty, as the protagonist. Throughout the story we see their bond becoming stronger as they live together and go with eachother on a trip. However we also see the side part of him still aiming to take all of Betty's large fortune. Towards the end of the story we learn from Betty how their relationship really started over 50 years ago when he Raped her and had her father killed. Then we find out Betty took all his money before he was able to steal hers and there is a final scene which is a physical fight between the two where Betty manages to come out on top. This is a sudden plot twist common of the thriller genre yet the film denies the typical conventions of a crime thriller with the absense of a male protagonist as well as little to no appearances from police or other authority figures. There is also very little aspects of investigation as there is no clues the pair knew eachother in a previous life. There is guns present as well as a resolution at the end even if we did not expect the outcome we see. 

 

Political Thrillers

Political Thrillers

 

  • The Pelican Brief 

  • Vantage point

  • The firm 

  • Official Secrets

  • Tinker Tailor Soldier Spy

Conventions

 

  • Power Struggle --> Hierarchical

  • Protagonists - Isolated "good" people, clever, innocent 

  • Chase sequences

  • Explosions, gun threats

  • Conspiracy - Being kept secret by those in power

  • Audiences are in position of protagonist - omniscient

  • Iconography: suits, briefcases, courtrooms

  • 'The secret' - usually takes form of a thing, manuscript, USB stick

  • Surveillance - CCTV --> Being watched, inability to hide

  • Always something political

Official Secrets.jpg

Official Secrets

 A true story based on a British wistleblower. Throughout the film we follow her story as GCHQ try to charge her for leaking a private document and breaching the Official Secrets Act. In the film we see it following a lot of the typical conventions of a political thriller such as surveillance, however it is surveillance in a less typical way as the protagonist talks about how her role is to listen in on conversations later leading her to be concerned about the government hearing her conversations. She is also isolated to the extent they even try to deport her husband. Another typical convention of a Political thriller is a 'secret' and this is even mentioned in the title with the secret being a classified document about the war with Iraq. We also see common ideology such as a courtroom. 

 

Technological Thrillers

Techno thrillers:

 

  • I robot

  • The net

  • Enemy of the State

  • Nerve 

  • The circle

  • Die Hard 4

  • Minority report 

Conventions

 

  • Technology - against the protagonist for the majority of the film

  • Isolation - theme & highlights how technology can isolate or connect 

  • Chase sequences - Fast paced editing 

  • Non-diegetic music working alongside editing to raise heart rates 

  • Guns, death - Not gruesome, often due to technology going wrong

  • Mixture of male and female protagonists - Solo

  • Resolution - mainly positive, protagonist wins

Nerve.jpg

Nerve

 A girl named Vee suddenly decides her life is too boring, in an attempt to change this she follows in the footsteps of her best friend and becomes a player in a game called Nerve. When she meets fellow player Ian, the watchers begin to love them together and it leads her getting in way over her depth in the game, after all the warnings she chose to tell the police about the game and through doing this, the game took control of her, her life, her family and their assets. She needs to come up with a plan or work out a way to win the game without her new love, Ian, getting hurt in the process. Throughout the film we see some of the typical conventions of a techno thriller such as the technology taking over the protagonists life as well as the isolation she faces when it seems the whole world are against her, even her friends. In the final scene there is also a presence of guns and violence which is a typical weapon of a technological thriller.

Action Thrillers

Action thrillers:

 

  • Vantage point

  • Ava

  • Enemy of the state

  • SkyFall

  • Wrath of Man

  • The Marksman

Conventions

 

  • Explosions - Weapons - Guns, Machine guns/rockets

  • Mainly male protagonists - Female protagonists - sexualised

  • Chase sequences - High action content e.g. cars

  • Some form of love interest

  • Exotic locations - Film will span across vast places

  • Antagonists - Male = power

  • Locations will be uninhabitable - Seclusion

  • Protagonists - Secret agents/spys or retired agents

  • Fight sequences

Vantage point.jpg

Vantage Point 

In the film we see the President of the US going to a peace conference in Spain where 'he' is shot dead as part of a terrorist attack. We see the perspectives of 4 different people and how they view the attacks, slowly as we continue watching we begin to piece together more and more of the story with constant flashbacks until the final scenes where see a car chase between Agent Barnes and his ex colleague and double agent, Agent Taylor. This eventually leads to a huge car accident as an 'ambulance' veers away from a little girl. Throughout the film there are many classic conventions of an action thriller, for example there is definitely a lot of violence particularly from guns and explosions. The protagonist is also male and infact the majority of the main cast are all male. The protagonists are also secret service. There is also a high speed and intense chase scene. There is not many exotic locations as the film in mainly set within a very small area of Spain. 
 

Disaster Thrillers

Disaster thrillers:

 

  • The Day After Tommorow 

  • Sharknado

  • Contagion

  • I am legend

  • The impossible

Conventions:

 

  • Global impact - Everyone is at risk 

  • Protagonist - Solo / group of friends / family

  • Antagonist is the natural disaster - a disease/ an earthquake/ tsunami 

  • Isolation still a theme - Focus on the need to unite people

  • Damage + fatality without violence, no guns or weapons but increased number of deaths

  • Often only protagonist/Protagonists group survive 

  • Connection, often brought together by the disaster

The day after tommorow poster.jpg

The Day After Tomorrow 

 Despite warnings from paleontologist Jack Hall, The government fail to do anything about the looming climate crisis, this leads to a full scale disaster with the most extreme weather ever seen sweeping the world. Jacks son, Sam, is on a school residential in NYC when the storm hits, with the limited signal he contacts his father who instructs him on what to do until he can reach Sam and his friends. Sam must work out how to save as many people as he can and look after the girl he realises he loves whilst Jack battles through the weather in an attempt to save his son before it is too late. We also see Sam fall in love with Laura and at one point her life is in his hands and we see him risk his life to try and safe hers, this builds tension as we want them to work out but we are unsure of whether the storm will prevent this. We see the typical disaster thriller conventions through the protagonist being the storm and the fact that the group of teens are incredibly isolated when they are trapped in the library. There is also a lot of damage + fatalities but a lack of guns and people on people violence. 

Assignment

I used my knowledge of thrillers to complete an assignment comparing and contrasting the thriller film genre with another genre 

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